FOR GOTT EN I
each 21 x 3 0 x 3 cm, 32 works of 72, prints on transparent foil, Water, 2010-2016
each 21 x 3 0 x 3 cm, 32 works of 72, prints on transparent foil, Water, 2010-2016
Out of the 72
interviewees, there were some interviewees who did not consent to video
recording. This is the record of these women. Their faces are erased under the
water for the duration of interview time. Hence, they are recorded anomymously.
After making portrait prints of them, the pictures were placed inside acylic cases, which were filled with water for the duration of interview time as a way of recording the interviews. Faced with the memories of these diverse women hidden between the rifts of history, the height of the water rises as the interview time gets longer. (The longer the interview, the more the face of the interviewee disappears.) Thus, as much as the water level rises, the face of the interviewee and her memories dissolve in the present temporality and turn into a different property of matter.
After making portrait prints of them, the pictures were placed inside acylic cases, which were filled with water for the duration of interview time as a way of recording the interviews. Faced with the memories of these diverse women hidden between the rifts of history, the height of the water rises as the interview time gets longer. (The longer the interview, the more the face of the interviewee disappears.) Thus, as much as the water level rises, the face of the interviewee and her memories dissolve in the present temporality and turn into a different property of matter.
Babara & Soun Im each 21 x 3 0 x 3 cm, Details, prints on transparent foil, 2016
